Chuck Austen (born Chuck Beckum)[1] is an American comic book writer and artist, television writer and producer.In the comics industry, he is known for his work on U.S. War Machine, The Avengers, JLA, Action Comics and the X-Men franchise.In television, he is known for co-creating the animated TV series Tripping the Rift,[2] producing the first season of Steven Universe, and acting as a co-showrunner on She-Ra and the Princesses of Power.[3]
After marrying, he and his wife picked a new name, inspired by
Jane Austen
.
Career
Austen began his career as an artist in the 1980s. Due to not knowing many comics fans he developed a habit of inking his own pencils.After working on Eclipse Comics titles such as Twisted Tales and Alien Worlds, his work came to the attention of Alan Moore, who selected him to take over from Alan Davis on Miracleman, recently added to the company's portfolio.He met Moore for the first time at the 1985 San Diego Comic Con, where he was also announced as the new artist on the title.As the series initially reprinted material from the British anthologyWarrior his work on the main strip started in Miracleman #6, cover dated February 1986.Austen's run on the title was short-lived - after contributing a framing sequence to Miracleman #8 he left.[6]
Subsequently, he drew the first five issues for the short-lived series Hero Sandwich for Slave Labor Graphics, as well as stints on The Badger for First Comics and two issues of Scott McCloud's Zot!, covering for the artist's honeymoon.[6] Austen also wrote and drew the semi-autobiographical black-and-white adult comic book series Strips for Rip Off Press and the similarly-themed Hardball for Malibu Comics' Aircel Comics label.He also provided art to lesser-known series such as Open Season and The Trouble with Girls as well as a few DC Comics properties including a Phantom Lady serial for Action Comics Weekly and a short Green Flame story for Secret Origins.Before taking a break from comics, Austen also drew an issue of Disney's The Little Mermaid limited series, due to the high page rates Disney offered and the chance to work with Peter David.[6][1] He subsequently took a hiatus from the comics industry, instead working on the television show King of the Hill.[6]
Austen returned to comics in 2001, feeling burnt out after finding little success in the film and television industry. He began looking at comics again and sent samples of his art to Marvel Comics editor-in-chief Joe Quesada, who was impressed enough to offer Austen the chance to illustrate the new Marvel KnightsElektra series, written by Brian Michael Bendis.[6] He would remain as the title's artist until Elektra #8.Soon after being commissioned, he also began writing and illustrating the weekly maxi-series U.S. War Machine for then-recently launched Marvel MAX imprint.[4] The series drew controversy not only for its violent content, but also because it debuted the day after the September 11, 2001 attacks.In 2003, Austen followed up with U.S. War Machine 2.0, which was published the day after U.S. President George W. Bush's March 17, 2003 ultimatum to Iraqi President Saddam Hussein to leave Iraq,[7] prompting Austen to jokingly comment, "I feel like I should stop doing this book so the world will stay at peace."[8]
In 2002, Austen took over Uncanny X-Men with issue #410[9] and remained on the title until #443.The two-year run was the most lengthy writing assignment in Austen's mainstream career,[1] although it was not well received by the fans of the franchise.[10][11][12] His controversial[13][14] run saw the return of Havok[15] and Polaris[16]
In 2003, Austen wrote a brief run on Captain America, finishing the storylines that were started by the outgoing writer John Ney Rieber.[30] In 2004, Austen took over The Avengers, introducing a new, female Captain Britain (since renamed Lionheart), a single mother thrust into the realm of super-heroes after being killed as an innocent bystander during a fight between the Avengers and the Wrecking Crew, only to be resurrected by the original Captain Britain.[31] The second arc, which saw Austen writing former Avengers U.S. Agent and Namor attempting to liberate a Middle Eastern country from its corrupt leadership, served as launching pad for the short-lived New Invaders series.[32][33][34]
Also in 2003, Austen returned to DC Comics with the limited series Superman: Metropolis which followed the life of Jimmy Olsen and other citizens of the eponymous fictional city.[38] After the series concluded with issue #12, Austen took over the writing duties of the ongoing series Action Comics.Fans criticized Austen for resurrecting the long-forgotten Silver Age feud between Lois Lane and Lana Lang over the love of Superman, with Lana in particular divorcing her longtime husband Pete Ross in the process.[5] Austen left the title after ten issues,[39] and the following two issues were scripted by a writer named "J.D. Finn".While readers suspected Finn to be Austen, he speculated that Finn was actually then–Action Comics editor Eddie Berganza and denied using the pseudonym.[5]
In 2004, Austen began self-publishing WorldWatch, a superhero series which he described as similar to Warren Ellis's The Authority with more explicit depictions of sex, violence and realpolitik.[40] The last page of Worldwatch #2 featured an announcement from the publisher stating that Austen had been fired, and that he would be replaced by a writer named Sam Clemens (which is the real name of American writer Mark Twain).In a subsequent interview, Austen revealed that this was intended as a joke (since he himself was the publisher and thus could not be fired from the book) and expressed disappointment in the fact that most readers had not understood it.[5]
In 2006, Austen wrote Boys of Summer, an English language adult-themed manga illustrated by Hiroki Otsuka and published by TokyoPop.[2] Copies of the first volume were pulled from a number of bookstores in May that year due to its graphic content.[39]Publishers Weekly named Boys of Summer one of the Top Ten manga/manhwa of 2006, calling it both "a titillating and edgy reading experience."[41] Subsequent news reports indicated that the series had been cancelled even though the other two volumes were completed and both creators had been paid for the work.[39]
Austen spent most of the 2010s working in various capacities in animation on such shows as The Cleveland Show, Steven Universe, Dawn of the Croods and The Adventures of Rocky and Bullwinkle.Most recently, he served as the co-showrunner on She-Ra and the Princesses of Power.[3]
In 2007, Austen released his first prose novel, Like Warm Sun on Nekkid Bottoms.[42] In 2011, writing as Charles Olen Austen, he released the three-book series Pride and Nakedness, followed by Something Old, Something New in 2013.[43]
In 2020, Austen returned to comics with Edgeworld, a five-part series with artist Pat Oliffe, published digitally via Comixology.[44]
Reception
During his stint at the Big Two, Austen used the expression "Seven Deadly Trolls".In Austen's point of view, there was a small group of people, not representative of the wider comics readership, that used internet message boards, blogs and newsgroups to attack him on a professional and personal level.[45] Austen has stated that he received death threats from fans and had certain comic book store owners refuse to stock any comics written by him.[5] He also admitted to taking online criticism of his work personally, and made a decision to stop doing interviews in August 2003.[46] In a 2004 interview, Austen explained that decision as a result of a "bad day".[45]
Austen creates his art digitally, using mostly Macs and sometimes PCs.He utilizes a variety of programs including Ray Dream Studio and 3D Studio Max to compose scenes which he then finishes in Photoshop.[4]
Personal life
Austen is divorced.[6] He has two daughters[4] and a son.[3]
He identifies himself as humanitarian and anti-racist.[5] In Austen's view, the Republican Party discriminates against women, and he especially disliked the Bush administration.[4]
Bibliography
Early work
Eclipse:
Alien Encounters (as artist, anthology):
"I Shot the Last Martian" (written by Mark Borax, in #2, 1985)
"Another Man's Shoes" (written by Tim Burgard, in #5, 1986)
"Freefall!" (written by Len Wein, in #6, 1986)
"Picture Me and You" (written by Bruce Jones, in #7, 1986)
Miracleman #6–7 (as artist, written by Alan Moore, 1986) collected in Miracleman: The Red King Syndrome (hc, 128 pages, 1991, ISBN 1-56060-035-7; tpb, 1991, ISBN 1-56060-036-5)
In 2014, Marvel re-released these stories in Miracleman #7–8 (where Moore is credited as "The Original Writer") as part of the series' reprint with remastered and recolored art.
The remastered and recolored versions of the stories are collected in Miracleman: The Red King Syndrome (hc, 224 pages, Marvel, 2014, ISBN 0-7851-5464-7)
Zot! #19: "Getting to 99" (as artist, written by Scott McCloud, 1988) collected in Zot! The Complete Black and White Collection (tpb, 576 pages, It Books, 2008, ISBN 0-06-153727-6)
The Complete Badger Volume 4 (tpb, 144 pages, 2008, ISBN 1-60010-235-2) includes:
The Badger #20–22 (as inker on Bill Reinhold, 1987)
The Badger #23: "Bob" (as artist, 1987)
Slave Labor Graphics:
Samurai Penguin (written by Dan Vado):
Samurai Penguin #3–4 (as layout artist, finishes by Mark Buck (#3) and Basilio Amaro (#4), 1987)
Samurai Penguin #5 (as letterer, 1987)
Hero Sandwich #1–5 (as artist, written by Dan Vado, 1987–1988) collected in The Works: The Hero Sandwich Collection (tpb, 200 pages, 1997, ISBN 0-943151-06-6)
It's Science with Dr. Radium #4: "A Day at the Beach" (script and art, co-feature, 1987) collected in Dr. Radium Collection Volume 3 (tpb, 128 pages, 2005, ISBN 1-59362-013-6)
Sidney Mellon's Thunderskull (as artist, with Norman Felchle; co-written by Gerard Jones and Will Jacobs, one-shot, 1989)
The Final Cycle: Part One #1–2: "Cecilia and Garrison" (as layout artist, finishes by Basilio Amaro; co-written by Mark Clegg and Charlie Boatner, co-feature, Dragon's Teeth, 1987)
Open Season #6: "There is Stress in This Room" (as artist, written by Jim Bricker, co-feature, Renegade Press, 1988)
Comico:
The Trouble with Girls vol. 2 #3–7 (as inker on Tim Hamilton; co-written by Gerard Jones and Will Jacobs, 1989)
Elementals vol. 2 #4: "Into the Belly of the Beast" (as artist, written by Bill Willingham, 1989)
Buck Rogers Comics Module #1–2 (with Mick Gray, as inker on Frank Cirocco; co-written by Flint Dille and Buzz Dixon, TSR, 1989)
Strips #1–12 (script and art, with issues #1–9 published by Rip Off Press in 1989–1991 and #10–12 self-published as White Buffaloe in 1997)
In 1997, White Buffaloe also began reprinting the early issues with additional material as Strips: The Special Edition, but stopped only after two issues.
The only other publication by White Buffaloe besides the five issues of Strips was White Buffaloe HomePage, written and drawn by Austen, also in 1997.
and Annie Ghazikhanian, excoriated Austen for what Aronson saw as his obsession with relationships and sex, and the sexist nature of his characterization of
, a project consisting of several mini-series conceived in the aftermath of the September 11 attacks that were written primarily by Austen (with one series written by
, a series in "Marvelscope" (landscape) format created to capitalize on the burgeoning manga market which resulted in controversy when Uy publicly disowned the project, calling it a "bad dream".
Action Comics (with Ivan Reis, Joe Prado (#819), Carlos D'Anda (#820) and Luke Ross (#821), 2004–2005) collected as:
Superman: The Wrath of Gog (collects #814–819 and co-features from #812–813, tpb, 160 pages, 2005, ISBN 1-4012-0450-3)
Superman: In the Name of Gog (collects #820–823, tpb, 160 pages, 2005, ISBN 1-4012-0757-X)
JLA #101–106: "Pain of the Gods" (with Ron Garney, 2004) collected in JLA: The Deluxe Edition Volume 8 (tpb, 400 pages, 2016, ISBN 1-4012-6342-9)
Catwoman: The Movie (with Tom Derenick, one-shot, 2004) collected in Catwoman: The Movie and Other Cat Tales (tpb, 128 pages, 2004, ISBN 1-4012-0336-1)
Uncanny X-Men (with Ron Garney, Sean Phillips (#413–415, 428), Kia Asamiya, Philip Tan, Steve Kim (#427), Takeshi Miyazawa (#434) and Salvador Larroca, 2002–2004) collected as:
X-Men: Unstoppable (collects #410–424, tpb, 440 pages, 2019, ISBN 1-302-91612-2)
Includes X-Men Unlimited #44–45 (written by Austen, art by Romano Molenaar (#44) and Pop Mhan (#45), 2003)
X-Men: Trial of the Juggernaut (collects #425–436 and Exiles #28–30, tpb, 392 pages, 2019, ISBN 1-302-92037-5)
Includes the "Animals" short story (art by Clayton Henry) from X-Men Unlimited #40 (anthology, 2003)
Includes the "Control" short story (art by ChrisCross) from X-Men Unlimited #48 (anthology, 2003)
X-Men: Reloaded (includes #437–443, tpb, 416 pages, 2020, ISBN 1-302-92401-X)
Also collects New X-Men #155–156 (written by Austen, art by Salvador Larroca, 2004)
Also collects X-Men vol. 2 #157–164 (written by Austen, art by Salvador Larroca, 2004)
X-Men 2: The Movie Adaptation (tpb, 144 pages, 2003, ISBN 0-7851-1162-X) includes:
X-Men 2 Movie Prequel: Nightcrawler (with Karl Kerschl, one-shot, 2003)
X-Men 2 Movie Adaptation (with Patrick Zircher, one-shot, 2003)
Exiles (with Clayton Henry and Jim Calafiore, 2003–2004) collected as:
Lionheart of Avalon (collects #77–81, tpb, 120 pages, 2004, ISBN 0-7851-1338-X)
Once an Invader (collects #82–84, tpb, 152 pages, 2004, ISBN 0-7851-1481-5)
Includes New Invaders #0 (co-written by Austen and Allan Jacobsen, art by C. P. Smith, 2004)
, ISBN 1-59816-545-3)
Volumes 2 and 3 were published in 2019 in eBook format.
Kirby and Dad (retitled Kirby and Me; script and art, webcomic, 2010–2011)
Edgeworld #1–5 (with Pat Oliffe, self-published digitally via Comixology, 2020–2021) collected in print by Dark Horse as Edgeworld (tpb, 136 pages, 2022, ISBN 1-5067-2834-0)
The Most Important Comic Book on Earth: "Roots and Shoots" (script by Austen based on the concept by Jane Goodall, art by Lee Carter, anthology graphic novel, 352 pages, DK, 2021, ISBN 0-7440-4282-8)
