Advertising
Since its introduction in 1976, Philip Morris has created many poster- and billboard adverts to promote Merit as a "low-tar" alternative.[6][7][8][4][9]
A television ad to promote Merit Ultra Lights was also created.[10]
The brand name, Merit, helped contribute to formulating an aura of credibility for the brand. The advertisements also reflected the same goal, with a strategy internally referred to as bold and aggressive. The ads were meant to convince consumers that Merit was a breakthrough cigarette, and thus presented information in the style of newspaper articles, featuring headlines with scientific substance and validity ads that looked important and impressive. Merit's ad campaign ran in the 1980s, used a journalistic, reportorial style which an editor might use for a front page story in a major newspaper.[6]
During the 1970s, additional evidence of consumer confusion, misinformation, rationalisations, and the corresponding role played by advertising was gathered by multiple firms. Market researchers for the industry and its advertising agencies were not even confident that consumers knew what they were talking about when referring to the "taste" of a cigarette. "It is almost impossible to know if the taste smokers talk about is something which they, themselves attribute to a cigarette or just a `play-back' of some advertising messages".
Even the "taste" of a product was greatly influenced by the brand's image and reputation. Merit, as a free-standing brand, had difficulties in being perceived as flavourful, whereas in contrast, product line extensions like Marlboro Lights had the advantage of being perceived as more flavourful due to the taste reputation of the "parent" brand.
The market launch strategies gave particular emphasis to the choice of the name Merit, obviously communicating apparent virtue, and an advertising style that made this product development seem eminently scientific and newsworthy and less like an ad. The product launch strategy included a record level of advertising investment. "The advertising was designed to overcome the low interest level in cigarette advertising, to communicate the technological breakthrough which MERIT represented and to report the impressive results of the taste testing program. To achieve these goals, a bold and aggressive strategy was devised featuring headlines and ads that had scientific substance and validity... The ads were written in a journalistic, repertorial [sic] style to be precise, pointed, and absolutely believable... This strategy entailed a multi-media blitz aimed at a broad range of smokers. It required a major commitment by Philip Morris USA to a high level of media investment. Newspapers and magazines were utilized nationwide to get the complete product story to consumers. Massive outdoor billboard displays, subway signs, taxi-tops and exterior bus posters would be used to create brand awareness. The displays utilized straight-forward graphics which were designed to provide sufficient visibility to give high spontaneous retail sales".
"Merit was the primary focus of the sales force for a full year... We spent $45 million on advertising—remember $45 million in 1976! This was a record amount for a new brand introduction... Creatively, we used provocative headlines and important looking copy which looked like it had real news value. Tar/taste theory exploded! - Smoke cracked! - Taste barrier broken!"
"The bold national launch of Merit by Philip Morris jolted the cigarette industry as few product introductions have. Full page newspaper ads trumpeted the arrival... the beginning of a blitz in all media that still has the competition muttering to itself. Industry insiders estimated that when media, point-of-purchase, promotion and collateral are totalled for the year, the sum will stand close to $50 million. Others suggest the roll-out of Merit is the most expensive new product introduction in the history of the cigarette industry". When Merit Ultra Lights were introduced in 1983, the advertising programme had an $80 million media budget, not even accounting for retail promotional efforts. This advertising featured imagery of large sailing ships in what was termed the "sea" campaign. The executions not only showed young people in an enviable, carefree, affluent lifestyle and a pristine environment, they also were careful to avoid any suggestions of danger. "In 1983, we adopted the sea campaign... First, to create an identity for Merit as the taste brand of low tars, and second to create an image for the brand which could be extended into promotions and retail materials... we showed young people on pleasure boats enjoying their leisure time and smoking Merit. We deliberately tried to avoid dangerous looking water".[3]
The Tobacco Papers document the beleaguered industry’s many efforts to make the most of the mentally ill market. Philip Morris ran an ad for Merit cigarettes that seemed to many mental health professionals to be targeted to schizophrenics themselves. The ad showed a double image of a pack of Merits and read, "Schizophrenic.... For New Merit, having two sides is just normal behavior".[11]
According to an ex-photographer who worked for Philip Morris and had to shoot various poster advertisements for the Merit brand, all the photos were created without the use of modern-day techniques such as Adobe Photoshop.[12]
