First wave
The first wave of CrossGen titles included: Sigil, a military science fiction space opera; Mystic, a magical fantasy; Meridian, flavored by traditional folklore; Scion, an adventure series inspired by tales of King Arthur; and CrossGen Chronicles, a series detailing the "untold" history of the CrossGen universe.
The protagonists of the first wave of CrossGen comics were linked in commonality by the Sigil each character had received. It was a branding on their body, a marking that granted them unusual powers. The Sigil, and the story of the Sigil-Bearers, was a prominent aspect of the narrative.
Following titles
In November 2000, the Homeric myth The First was released and, steadily over the next three years, CrossGen released many more titles.
The following were released in 2001: Crux (based on the Atlantean myth); Sojourn (an epic fantasy in the style of The Lord of the Rings); Ruse (a Victorian detective story); and Negation.
In the following year, these titles were released: the horror story Route 666; the wuxia comedy Way of the Rat; and the samurai drama The Path.[6]
The company enjoyed great initial success, with fifteen Harvey Award nominations in 2002.[7]
In 2003, other titles were released expanding the fictional universe: the sword and sorcery epic Brath; Chimera, a limited series about a Sigil-bearer on the far reaches of the Universe; the pirate adventure El Cazador; and two other titles that explain the origin of the Sigil-bearers, Solus and Mark of Charon.
Titles such as Negation and Crux blended genres. Although most CrossGen titles shared common elements (such as a Sigil, the presence of a Mentor and a member of the god-like First), the titles rarely crossed over with each other. The major example of crossing over was Sam of Sigil, who spent four issues in the world of Brath and part of one issue in the world of Meridan, with the latter period also being told from Sephie's perspective in issue #20 of Meridan. There was one company-crossover event, the Negation War, but was never concluded.
CrossGen Entertainment, Inc. (CGE)
In 2003, CrossGen Comics, Inc. changed its name to CrossGen Entertainment, Inc. (CGE), and formed eleven wholly owned subsidiary companies, which represented its broad-based entertainment products and offerings. These companies were to act independently of CGE, functioning as interior business units while all working towards CGE's overall goals. With this arrangement, all current and future projects would be managed and guided by Crossgen's founding principles. These projects consisted of:
CrossGen Comics Entertainment, Inc.(CGE) was set up to take over the publishing of all existing comics properties. Its logo would appear on anything that came from CrossGen. CGE acted as a publisher for affiliated companies that would retain full ownership and control of their property and would reap the benefits of joining with a larger company.
- CrossGen Intellectual Property, LLC: CGIP held all CGE content intellectual property (IP).
- CrossGen Technologies, LLC: CGT held all CGE technology IP and managed technology IP creation, development, production, and application.
- CrossGen Publishing, LLC: CGPub published all print projects, including CGE Ancillary, Code 6, CrossGen Universe, and foreign publishing.
- Code 6 Comics, LLC: A subsidiary of CGPub, C6C published Code 6 publications.
- CrossGen Comics, LLC: A subsidiary of CGPub, CGC published CGU print publications.
- CrossGen Media, LLC: CGM was responsible for feature films, television programs, video games, websites, merchandise, and additional interactive products.
Code6
Code6 was another imprint of CrossGen Entertainment created to publish titles set outside of the Sigilverse, such as The Red Star, DemonWars, and The Crossovers. All titles published with the Code6 logo would be owned by both the creator and CrossGen Entertainment, Inc. with the majority of ownership resting with CGE. CrossGen would pay an upfront page rate and then split all rights and revenues 75%-25%.
Code6 is the Florida Police signal code for an escaped prisoner. It was used to describe the attitude of the creators working at Code6.
Comics on the Web (COW)
One of Crossgen's innovations was the sale of comic subscriptions via the Internet. Subscribers could view all of Crossgen's titles through a web browser. The web comics reproduced the fine color of the original, but the lettering was sometimes not quite legible; hovering over the word or thought bubble caused it to enlarge to a readable size, a feature developed in Flash by Gabo Mendoza of Gabocorp Studios. The online library was estimated to contain 160 issues and 4,400 pages by the end of 2002. CrossGen was among the first comics companies to publish online.
Bankruptcy
In 2003, CrossGen found itself in a scandal over freelancer payments, exposing systemic financial problems.[8] As the news reached comics fans, sales were affected and creative staff, such as Gina Villa, Brandon Peterson, and Ron Marz, began to abandon the company.
Some industry observers noted that the company's difficulties became apparent shortly after the Borders and Barnes & Noble bookstore chains discontinued stocking CrossGen's trade paperback collections, and returned huge numbers of unsold books for credit/refund, more than wiping out the publisher's optimistically low reserves against returns. In an interview with Marc Alessi on the Dollar Bin podcast, the root cause of CrossGen's financial collapse was said to be the result of a large decrease in the value of Perot Systems stock that was largely backing the company's financing. The financial plan was to lose money in the first six years before earning profits in the seventh year through film and television deals.[9]
In late 2003 the company restructured, selling MegaCon to show organizer Elizabeth Widera.[10][11]
Checker Books
In 2006, Checker Books obtained the rights to publish trade collections of various CrossGen series, starting with Sojourn. A total of nine collected editions were part of the agreement: two each for Sojourn, Negation, and Scion, and single volumes for The Way of the Rat, Sigil, and The Path. There are no plans by Checker Books for more traveler-sized collections.
Mark Thompson, the publisher of Checker Books, traveled to New York in 2007 and spoke with Disney representatives about reprinting further collections. No agreement has been made at the time, but according to Mark Thompson, he indicated that this would happen.[17] In a quick follow-up interview he expanded on things, explaining how difficult it has been to pin down what is considered 'full distributed' and to solve this they are: "planning to propose to Disney that we 'catch up' by putting out omnibus collections".[18]
In 2008, Checker Books published three CrossGen titles.[19] These were:
Revival
In July 2010, Marvel Comics (also a Disney-owned company) announced a plans to revive a number of CrossGen titles.[20]
Marvel began to publish Ruse and Sigil in March 2011 as four-issue miniseries.[21] Both completed their run, and a third Crossgen title, Mystic, premiered in August 2011.[22] Two more books, Route 666 and Kiss Kiss Bang Bang, were announced during Fan Expo Canada in late August, and were set to start in February 2012, but were never published due to low interest in the previously released series.[23]
In 2022, Marvel Comics released CrossGen Tales #1, a trade paperback collection that contains the reprinted original first issues of Mystic, Sigil, Ruse, and Soujourn.[24]
