Cinema Center Films

Cinema Center Films (CCF) was the theatrical film production company of the CBS Television Network from 1967 to 1972. Its films were distributed by National General Pictures.[1] The production unit was located at CBS Studio Center in the Studio City district of Los Angeles in the San Fernando Valley, and produced 30 films.[2][3]

History

CBS chairman William S. Paley and Frank Stanton founded the network's first film division, Cinema Center Films, in 1967, with Gordon T. Stulberg as its first chief.[4]

In February 1967, CBS had bought for $9.5 million the studios of Republic Pictures (which would be renamed CBS Studio Center).[2] The following month they announced Stulberg's appointment, stating they intended to make ten films a year at a cost of $3.5 million each on average. Paley and Stulberg met with Gulf & Western chairman Charles Bluhdorn, who had just acquired Paramount Pictures, in a search for a distributor, but Bluhdorn's over-chumminess turned off Paley. Stulberg reported to John A. Schneider, CBS network president.[5] The studio's first notable talent signing was with Doris Day[6] which resulted in their first movie With Six You Get Eggroll.[5] Initially, CCF was generally termed by the film community as a maker only of "fluffy films" that seemed designed for rebroadcast on CBS.[5]

Their second signing was with Bob Banner Associates, who were to make a series of projects that did not come to fruition.[7] National General Pictures agreed to distribute their films in August 1967, agreeing to provide $60 million for 22 movies.[8]

They signed a four-picture deal in October 1967 with Jalem Productions, Jack Lemmon's company, worth $21 million – Jalem was to produce four films, two in which Lemmon was to appear.[9] The deal gave way to The April Fools (1969) and The War Between Men and Women (1972).[10]

Other people who signed deals with the company included producer William Graf,[11] and actor Steve McQueen via his company Solar Productions.[12] Robert Culp's company also signed.[13]

Ogilvy Mather was hired in July 1969 to provide advertising for the division.[14] To counter-act the film community's perception of being a "fluffy films" producer, Stulberg recommended making The Boys in the Band to Paley. Little Big Man was CCF's biggest hit at the box office despite a cost overrun.[5] CCF also financed a Broadway production, Does a Tiger Wear a Necktie?, a Don Petersen drama that opened in February 1970.[15] Paley moved responsibility at CBS for CCF from Schneider to Goddard Lieberson, president of Columbia Records, which was then owned by CBS.[5]

Twenty-six films were produced under Stulberg until he left to work at 20th Century Fox in 1971.[4] CBS closed the unit in 1972;[16] its last film was the Peanuts animated musical Snoopy Come Home. The studio never reported a profit in any year of its operation, losing money on 20 out of 27 films for a total loss of $30 million.[5]

Postscript

Distribution of Cinema Center's films were transferred from National General Pictures to Warner Bros. in a November 1973 deal that also included those of First Artists Productions.[17]

CBS licensed 28 CCF films to Viacom in 1979 for $30 million.[18] Another look at Cinema Center Films found that it was profitable. Since its closure, its films had been generating income via network and pay TV ancillary markets,[19] thus CBS attempted another return to the theatrical film production business in 1982, with a unit known as CBS Theatrical Films, as well as with Tri-Star Pictures, the joint venture between CBS, HBO and Columbia Pictures. CBS closed down CBS Theatrical Films and dropped out of Tri-Star in 1985.[20]

CBS would later fall under common ownership with Paramount Pictures after being bought by Viacom (Paramount's parent since 1994 and originally the syndication arm of CBS) in 2000 (which CBS was majority-owned by National Amusements from 2000 to 2025). CBS and Viacom split again in 2006, with CBS becoming a unit of CBS Corporation, but both were still majority-owned by National Amusements. CBS eventually launched a new film unit independent of Viacom and Paramount in March 2007, called CBS Films (which Lionsgate took over CBS Films' U.S. distribution and global sales functions in 2015).[21] On December 4, 2019, CBS Films was folded into the main CBS Entertainment Group after releasing Jexi, at the same time CBS also announced that it will re-merge with Viacom to form ViacomCBS (now Paramount Skydance Corporation), reuniting CBS with Paramount.

According to FIlmink magazine CCF "has been regarded as a failure, and we guess it was, certainly financially, but also it wasn’t, because the studio’s track record wasn’t bad. Indeed, part of the scary thing about the Cinema Center Films story is that the people who ran it made a lot of smart decisions, weren’t incompetent, and turned out some decent movies, but still lost a truckload of money."[3]

Films

See also

  • Indiewood
  • New Hollywood

References

  1. Norman Levy, 67; Fox Chairman Turned Offbeat Films Into Hits Los Angeles Times, September 28, 2002, retrieved 27 July 2012^
  2. Orders of Magnitude I: Majors, Mini-majors, "Instant Majors", and Independents. Page 331-332.^
  3. Stephen Vagg. Forgotten Film Moguls: Jere Henshaw and Gordon Stulberg of Cinema Center Films Filmink, 28 March 2026, retrieved 28 March 2026^
  4. Myrna Oliver. Gordon T. Stulberg; Studio Executive, Lawyer, Negotiator Los Angeles Times, October 18, 2000, retrieved 27 July 2012^
  5. Sally Bedell Smith. In All His Glory: The Life and Times of William S. Paley and the Birth of Modern Broadcasting Random House Publishing Group, February 29, 2012^
  6. Martin, Betty (May 9, 1967). Film Pact for Doris Day. Los Angeles Times (Los Angeles, Calif) (1923-Current File) Page D17.^
  7. Martin, Betty. Multi-Film Agreement Signed Los Angeles Times, June 22, 1967^
  8. National General, CBS Sign Deal for Film Distribution Los Angeles Times, Aug 22, 1967^
  9. CBS, Jalem Sign $21 Million Pact Los Angeles Times, Oct 2, 1967^
  10. The Cleveland Press from Cleveland, Ohio Newspapers.com, 1967-11-03, retrieved 2025-02-16^
  11. Cinema Center, Graf Announce Film Plans Los Angeles Times, Dec 10, 1968^
  12. Film Star of Year Turns to Creative Extension: McQueen's Creative Film Kick Los Angeles Times, Sep 21, 1969^
  13. Warga, Wayne. Cinema by, but Not Necessarily for, Television Los Angeles Times, July 28, 1968^
  14. Ogilvy & Mather Gets Film Task The New York Times, July 21, 1969, retrieved 27 July 2012^
  15. Sam Zolotow. C. B. S. Subsidiary to Help Stage Petersen's Drama on Broadway New York Times, September 7, 1968, retrieved 27 July 2012^
  16. Jack Gould. C.B.S. is Dropping Its Theater Films; Paley Takes Action as Part of a Production Review The New York Times, January 10, 1972, retrieved July 27, 2012^
  17. Orders of Magnitude I: Majors, Mini-majors, "Instant Majors", and Independents. Page 308.^
  18. Anthony Slide. The New Historical Dictionary of the American Film Industry Scarecrow Press, June 11, 1998, retrieved October 5, 2017^
  19. Trisha Curran. CBS Wants to Star In the Movies--As One of the Major Film Producers The New York Times, June 28, 1981, retrieved October 5, 2017^
  20. Jude Brennan. CBS Films' Presidency: And Then There Was One Forbes, July 23, 2014, retrieved August 16, 2018^
  21. Claudia Eller. CBS names head of movie division Los Angeles Times, September 26, 2007, retrieved 27 July 2012^