Description
The image of Tintin—a round-faced young man running with a white fox terrier by his side—is easily one of the most recognisable visual icons of the twentieth century. Hergé created Tintin as a young, blonde Belgian who is a native of Brussels, visualizing Hergé's values of conservative values and traditional norms.[10] Assouline deemed Tintin to be middle-class, which he considers one of the few traits that the character had in common with Hergé. In his first appearance, Tintin is dressed in a long travelling coat and hat, a few pages later adopting his plus fours, check suit, black socks, and Eton collar. At first, the famous quiff is plastered to Tintin's forehead, but during a particularly vigorous car chase in what became page 8 of the printed volume, his quiff is out and remains so. By the time he arrives in Chicago for his third adventure, both Hergé and his readers feel they know Tintin well, and he was to change little in either appearance or dress. Hergé was once asked by interviewer Numa Sadoul how the character Tintin developed; he replied, "He practically did not evolve. Graphically, he remained an outline. Look at his features: his face is a sketch, a formula." This view was echoed by Assouline: "Tintin was as uncomplicated as the story line".
Hergé never explained why he chose Tintin as the character's name, stating that it has no inherent meaning.[11] He had previously made use of alliteration with the name of his previous character, Totor. Michael Farr believes that "Tintin" is probably the character's surname because other characters, such as his landlady, occasionally refer to him as Mr. Tintin (as printed on his doorbell). Assouline asserted that it cannot be his surname because he lacks a family, believing that Hergé had adopted it because "it sounded heroic, clear, and cheerful" as well as being easy to remember.
Tintin's age is never specified. Throughout the Adventures, published over 50 years, he remained youthful. "Tintin was born at fifteen", says Assouline. Hergé commented, "For me, Tintin hasn't aged. What age do I give him? I don't know ... 17? In my judgement, he was 14 or 15 when I created him, Boy Scout, and he has practically not moved on. Suppose he put on 3 or 4 years in 40 years ... Good, work out an average, 15 and 4 equals 19."
Occupation
From Tintin's first adventure, he lives the life of a campaigning reporter. He is sent to the Soviet Union, where he writes his editor a dispatch. He travels to the Belgian Congo, where he engages in photojournalism. When he travels to China in The Blue Lotus, the Shanghai News features the front-page headline, "Tintin's Own Story". In The Broken Ear, with notebook in hand, Tintin questions the director of the Museum of Ethnography over a recent theft. Sometimes Tintin is the one being interviewed, such as when a radio reporter presses him for details, "In your own words." But aside from these few examples, Tintin is never actually seen consulting with his editor or delivering a story.
As his adventures continue, Tintin is less often seen reporting and is more often seen as a detective, pursuing his investigative journalism from his apartment at No. 26 Labrador Street. Other characters refer to him as Sherlock Holmes, as he has a sharp intellect, an eye for detail, and powers of deduction. Like Holmes, he is occasionally a master of disguise, and in Rastapopoulos even has an archenemy.
Tintin's occupation drifts further in later adventures, abandoning all pretence of reporting news and instead making news in his role of explorer. Clearly unencumbered with financial preoccupations, after Red Rackham's Treasure he is ensconced as a permanent house guest in the stately Marlinspike Hall with retired mariner Captain Haddock and the scientist Professor Calculus. Tintin occupies all of his time with his friends, exploring the bottom of the sea, the tops of the mountains, and the surface of the Moon (sixteen years before astronauts Neil Armstrong
Skills and abilities
From the first volume onward, Hergé depicted Tintin as being adept at driving or fixing any mechanical vehicle that he comes across. Given the opportunity, Tintin is at ease driving any automobile, has driven a moon tank, and is comfortable with every aspect of aviation. He is also a skilled radio operator with knowledge of Morse code. He packs a solid punch to a villain's jaw when necessary, demonstrates impressive swimming skills, and is a crack shot. He proves himself a capable engineer and scientist during his adventure to the Moon. He is also an excellent athlete, in outstanding condition, able to walk, run, and swim long distances. Hergé summarized Tintin's abilities thusly: "a hero without fear and beyond reproach." More than anything else, Tintin is a quick thinker and an effective diplomat. He is simply an all-rounder, good at almost everything, which is what Hergé himself would have liked to be.
Personality
Tintin's personality evolved as Hergé wrote the series. Peeters relates that in the early Adventures, Tintin's personality was "incoherent", in that he was "[s]ometimes foolish and sometimes omniscient, pious to the point of mockery and then unacceptably aggressive", ultimately just serving as a "narrative vehicle" for Hergé's plots. Hergé biographer Pierre Assouline notes that in the early Adventures, Tintin shows "little sympathy for humanity". Assouline describes the character as "obviously celibate, excessively virtuous, chivalrous, brave, a defender of the weak and oppressed, never looks for trouble but always finds it."
Michael Farr deems Tintin to be an intrepid young man of high moral standing, with whom his audience can identify. His rather neutral personality permits a balanced reflection of the evil, folly, and foolhardiness that surrounds him, allowing the reader to assume Tintin's position within the story rather than merely following the adventures of a strong protagonist. Tintin's representation enhances this aspect, with comics expert Scott McCloud noting that the combination of Tintin's iconic, neutral personality and Hergé's "unusually realistic", signature ligne claire ("clear line") style "allows the reader to mask themselves in a character and safely enter a sensually stimulating world."
To the other characters, Tintin is honest, decent, compassionate, and kind. He is also modest and self-effacing, which Hergé also was, and is the most loyal of friends, which Hergé strove to be. The reporter does have vices, becoming too tipsy before facing the firing squad (in The Broken Ear) or too angry when informing Captain Haddock that he nearly cost them their lives (in Explorers on the Moon). However, as Michael Farr observes, Tintin has "tremendous spirit" and, in Tintin in Tibet, is appropriately given the name Great Heart. By turns, Tintin is innocent, politically crusading, escapist, and finally cynical. If he has perhaps too much of the goody-goody about him, at least he is not priggish; Hergé admitting as much, saying, "If Tintin is a moralist, he's a moralist who doesn't take things too seriously, so humour is never far away from his stories."
