The Rising of the Shield Hero

Light novel

Originally published as a web novel, the series has been re-written with an expanded story-line. The series is currently published by Media Factory and features illustrations by Seira Minami. As of June 25, 2019, 22 volumes have been published. The novel series and the spin-off novel The Reprise of the Spear Hero was licensed by One Peace Books.[4]

Manga

The light novel series was adapted into a manga series by Aiya Kyū and published by Media Factory, with 29 volumes released as of December 23, 2025.[5] Both the novel and manga series were licensed by One Peace Books and were published in North America starting in September 2015.[6]

Spin-off

A comedy spin-off series was released in the 61st issue of Kadokawa Dengeki Daioh G.[7] The four-panel comedy manga, titled A Day in the Life of the Shield Hero (盾の勇者のとある一日), was drawn by Akagashi.

Anime

An anime adaptation was announced in June 2017.[8] The television series is produced by Kinema Citrus and directed by Takao Abo,[9] with Keigo Koyanagi handling series composition, Masahiro Suwa designing the characters, and Kevin Penkin composing the music.[10] The series aired from January 9 to June 26, 2019, on AT-X and other channels.[11] It ran for 25 episodes.[12]

The first opening theme is "Rise", performed by Madkid, while the first ending theme is "Kimi no Namae" (きみの名前), performed by Chiai Fujikawa.[13] The second opening theme is "Faith," performed by Madkid, while the second ending theme is "While I'm Next to You" (あたしが隣にいるうちに), performed by Fujikawa.[14] For episode 4, Asami Seto sang an insert song titled "Falling Through Starlight" as her character Raphtalia.[15] Both Crunchyroll and Funimation streamed the series.[16][17][18] Crunchyroll streamed the show in both the original Japanese version and the English dub.[19] Plus Media Networks Asia licensed the series in Southeast Asia and is streaming it on Aniplus Asia, iQIYI, bilibili, Netflix, and Disney+ Hotstar.[20][21][22][23][24] Funimation started streaming the dub on May 1, 2019.[25] Originally intending to air the English dub simultaneously with the original Japanese, Crunchyroll announced that there would be a two-week delay in the release of the English version on May 14, the day before episode 19, "The Four Cardinal Heroes", was scheduled to release.[26]

At 2019's Crunchyroll Expo, it was announced that the series would receive a second and third season.[27] Masato Jinbo replaced Takao Abo as director, and the rest of the staff members reprised their roles; Kinema Citrus is joined by DR Movie for animation production.[28] During "Kadokawa Light Novel Expo 2020", it was originally revealed that the second season would premiere in October 2021,[29] but it was later delayed.[30] The second season aired from April 6 to June 29, 2022.[31] It ran for 13 episodes.[32] In Southeast Asia, Plus Media Networks Asia licensed the second season and is simulcasting it on Aniplus Asia, bilibili, IQIYI, and Netflix.[33][34][35][36] The opening theme is "Bring Back", performed by Madkid, while the ending theme is "Yuzurenai" (ゆずれない), performed by Chiai Fujikawa.[37] On May 2, 2022, Crunchyroll announced that the second season would begin airing its dub on May 4.[38]

The third season is directed by Hitoshi Haga, with the rest of the staff from the previous season returning, with Alfredo Sirica and Natalie Jeffreys also joining as additional composers.[39][40] It aired from October 6 to December 22, 2023.[41] The opening theme is "Sin", performed by Madkid, while the ending theme is "Suki ni Natte wa Ikenai Riyū" (好きになってはいけない理由), performed by Chiai Fujikawa.[42] On October 19, 2023, Crunchyroll announced that the third season would begin airing its dub the following day.[43]

In January 2024, it was announced that a fourth season was in production,[44] and aired from July 9 to September 24, 2025.[45][46] The opening theme is "Resolution", performed by Madkid, while the ending theme is "Eien ni Ikkai no" (永遠に一回の), performed by Chiai Fujikawa. Hitoshi Haga reprises his role as director. The series composition is done by Keigo Koyanagi, the character design by Franziska van Wulfen, Sana Komatsu and Masahiro Suwa, the soundtrack by Kevin Penkin, Alfredo Sirica and Natalie Jeffreys.[47] Crunchyroll is streaming the dub in the same day the season aired.[48]

Following the fourth season finale, a fifth season was announced.[49]

Characters from this series are featured in Isekai Quartet, a comedy crossover series featuring franchises published by Kadokawa Corporation, from season 2 onwards. That season premiered on January 14, 2020.

Video games

A mobile game titled Tate no Yūsha no Nariagari Rerise (盾の勇者の成り上がり RERISE) was released for Android and iOS devices on February 24, 2021.[50] An adaptation of the anime titled The Rising of the Shield Hero: Relive the Animation was released for Steam on September 24, 2019, for Android and iOS devices on October 24, 2019.[51] In September 2025, a global game project for PC and smartphones based on the anime was announced.[49]

Sales and accolades

The light novel series had over 3.3 million volumes in print by December 2018,[52] and the manga adaptation had 1 million volumes in print by January 2019.[53] By April 2019, the light novels and manga have sold a combined 6.2 million copies in Japan, after their sales increased by 1.2 million copies in two months, mainly due to the success of the anime adaptation.[54]

At the 4th Crunchyroll Anime Awards in 2020, the character Raphtalia was selected as Best Girl, while Billy Kametz was awarded the Best Voice Artist Performance (English) for his role as Naofumi Iwatani. Kevin Penkin was nominated in the Best Score category for his series' work.[55][56]

Reception and controversy in North America

When the anime adaptation began airing in North America, the first episode came under controversy. Several Anime News Network reviewers criticized the series for its framing of a false rape accusation,[57] and the protagonist purchasing a girl as a slave was controversial.[58][59] When producer Junichiro Tamura was asked about it, he responded that there "have not been any controversies regarding the series in Japan, so it is difficult to say. In the case there were any controversy domestically, we will try to address all issues with the staff and people involved to bring our customers a better product the next time."[60]

Reviews of subsequent episodes have been generally positive. Theron Martin of Anime News Network gave a rating of B− for the first two episodes, stating "the series looks like it's gotten over its initial problematic hump and should hopefully slide into a more agreeable story flow."[61] He gave a B+ rating for the third episode, stating that "the series seems like it's angling to build Naofumi up more as a folk hero than the famously brazen heroes we're used to seeing in fantasy stories" and that "episode 3 gives the best argument to date for the series' possible potential."[62]

The second season received heavy scrutiny from both fans[63] and critics[64] due to its fast pacing and changes to the source material.