Spyglass Media Group

Spyglass Entertainment

On August 21, 1998, Gary Barber, former vice chairman and CEO of Morgan Creek Productions, together with Roger Birnbaum, co-founder and former head of Caravan Pictures, founded Spyglass Entertainment. The startup company signed a five-year distribution agreement with the Walt Disney Studios, which took an equity stake.

Birnbaum previously left Caravan at the prompting of then Disney studio chief Joe Roth; with Disney cutting its yearly production output, Roth recommended forming a self-financing production firm similar to New Regency Productions. After Caravan's remaining three films were released, Caravan went inactive.

Its slate of film projects and an initial financial advance of $10 million to $20 million against future overages were also contributed by Disney.[1] Spyglass's operations were formed and based at the Disney lot in Burbank.

On October 29, 1998, European media conglomerates Kirch Group and Mediaset invested in theatrical, video and television distribution rights to between 15 and 25 films in Germany, Italy, Spain, Poland and the former Soviet Union for over five years.[2] M. Night Shyamalan's The Sixth Sense (released 1999), Spyglass's second film after Instinct, grossed $661 million at the global box office.[3]

By May 23, 2000, Disney took a 10% equity stake in Spyglass, along with Svensk Filmindustri of Scandinavia and Lusomundo of Portugal.[4][5] On March 7, 2003, Spyglass Entertainment agreed to a four-year distribution output deal with Village Roadshow for Australia, New Zealand and Greece.[6]

On August 6, 2002, Spyglass Entertainment launched a television division, and it was focused on small screen projects. One of its projects was the short-lived series Miracles.[7] That same year, it attempted to merge with smaller independent distributor Intermedia, but it failed.[8]

In December 2003, Spyglass ended its deal with Disney and agreed to a four-year first-look non-exclusive co-financing and production deal with DreamWorks. This deal was never finalized and the relationship was not working well. Thus on September 23, 2003, Spyglass instead made a similar deal with Sony Pictures. Spyglass did not move to the Sony lot, but to Murdoch Plaza in Westwood, Los Angeles.[3]

On March 25, 2010, Spyglass was acquired by Cerberus Capital Management.[9]

On December 20, 2010, Gary Barber and Roger Birnbaum became co-chairmen and CEOs of the holding company of Metro-Goldwyn-Mayer (MGM), which had at that time recently emerged from bankruptcy. The original plan had the Spyglass library being added to MGM, but it was later removed from the plan.[10]

Spyglass Media Group

On March 13, 2019, Barber and Lantern Entertainment revived the company as Spyglass Media Group with all of Lantern's assets being absorbed into the revived company, bringing in Eagle Pictures and Cineworld as investors. Lantern made a majority investment and also transferred its film library and rights to Miramax film sequels to the Spyglass. Barber owns the Spyglass trademark and the sequel and remake rights to the old Spyglass library, which he has contributed. The company plans to produce content for all platforms.[11][12] Spyglass closed the former Lantern Entertainment/TWC office in New York City while laying off 15 staff members across divisions.[13] Unlike Spyglass Entertainment, Birnbaum is not the co-founder of Spyglass Media Group (though Birnbaum served as the producer of Eli Roth's Thanksgiving (released 2023)).

On April 1, 2019, Lauren Whitney, the president of television for Miramax, took on the same position for Spyglass.[14] Damien Marin followed Barber from MGM to be appointed Spyglass president of worldwide distribution and acquisitions on September 3, 2019.[15]

On April 16, 2019, Warner Bros. bought an equity stake in Spyglass, which signed a first-look deal with the studio.[16] Spyglass was involved on August 1, 2019, in a potential purchase of part of Miramax but dropped out in two weeks.[17][18]

Spyglass's first greenlit film since its revival is a revival of the Hellraiser franchise, which is announced on May 6, 2019.[19] With the company winning the rights to Stephen King's The Institute book in November 2019, Jack Bender and David E. Kelley were paired to development and produce the book as a mini-series. Also, Bender was signed by Spyglass to a television first-look deal.[20]

MGM President of Physical Production Peter Oillataguerre was appointed President of Production for Spyglass Media Group reporting to Barber. He left in September 2023 for Amazon MGM Studios.[21]

On October 28, 2020, Spyglass teamed up with Propagate Content, Artists First and Off-Road Productions to form a new comedy joint-venture named Artists Road, and it focuses on financing and producing mid-budgeted commercial comedy movies.[22]

On July 15, 2021, Lionsgate acquired 200 films from The Weinstein Company (TWC)'s film library for $191.4 million, which until then had been owned by Spyglass, with Lionsgate getting an 18.9% equity stake in Spyglass and Spyglass getting a first look television deal with Lionsgate Television.[23][24]

In November 2023, Spyglass fired Melissa Barrera from Scream 7 for pro-Palestinian comments during the Gaza war, which Spyglass deemed antisemitic.[25][26] In late 2023, Barrera shared a post accusing Israel of “genocide and ethnic cleansing” and a magazine article alleging the Israeli government was distorting “the Holocaust to boost the Israeli arms industry”.[27] In late 2023, a Spyglass spokesman told Variety "Spyglass’ stance is unequivocally clear: We have zero tolerance for antisemitism or the incitement of hate in any form, including false references to genocide, ethnic cleansing, Holocaust distortion or anything that flagrantly crosses the line into hate speech.”[28] Her co-star Jenna Ortega departed the film shortly after due to what was claimed at the time to be scheduling conflicts with Wednesday.[29] Ortega refuted that in an April 2025 interview with The Cut, stating the departure of Barrera, along with directors Matt Bettinelli-Olpin and Tyler Gillett, then new director Christopher Landon due to conflicts with Spyglass's retooling of Scream 7, made her return untenable.[30][31] The film was then completely overhauled and recast with Neve Campbell returning as the film's lead.[32]

As Spyglass Entertainment

1990s

2000s

2010s

As Spyglass Media Group

2020s

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