Career
In December 1954, Ishinomori published his first work, Nikyuu Tenshi, in Manga Shōnen. In 1956, he moved to Tokyo and became an assistant to Osamu Tezuka. During his time working under Tezuka, Ishinomori worked on Astro Boy[8] and Alakazam the Great.[9] In 1960, Ishinomori published Flying Phantom Ship, which was later turned into an animated feature film in 1969.[10]
Cyborg 009, created in 1964, became the first superpowered hero team created in Japan, featuring nine cybernetic warriors. The success of the superhero TV series Kamen Rider, produced by Toei Company in 1971, led to the birth of the "transforming" (henshin) superhero (human-sized superheroes who transform by doing a pose, and use martial arts to fight henchmen and the weekly monster), and resulted in many sequel shows to this day.
Ishinomori then created many similar superhero dramas, which were once again all produced by Toei or in Sarutobi Ecchan's case Toei Animation, including Android Kikaider, Kikaider 01, Henshin Ninja Arashi, Inazuman, Robotto Keiji, Himitsu Sentai Gorenger (the first Super Sentai series), Kaiketsu Zubat, Akumaizer 3, Sarutobi Ecchan, the Toei Fushigi Comedy Series, and countless others. He created popular children's shows, such as Hoshi no Ko Chobin (Chobin, Child of the Stars, 1974, a co-production with Studio Zero which was a major success on Italian television) and Ganbare!! Robokon.
In 1963, he founded the anime company Studio Zero. From 1967 to 1970, the manga 009-1 was serialized in the Futabasha publication Weekly Manga Action. It was written and illustrated by Ishinomori. There was a television drama of it in 1969 and eventually an anime in 2006.
Ishinomori's art is reminiscent of that of his mentor, Osamu Tezuka. The true story of his first meeting with Tezuka was illustrated in a short four-page tale drawn up as supplementary material for the 1970s Astro Boy manga reprints. In 1954, Ishinomori submitted his first official work, Nikyu Tenshi, to a contest seeking new talent in the magazine, Manga Shōnen. Tezuka was impressed by his drawings and sent a telegraph to Ishinomori, asking him to work as his assistant with Astro Boy. In the American release, this story can be seen in Volume 15, along with Ishinomori's earliest work on the "Electro" story arc. After graduating from high school in 1956 Ishinomori moved to Tokiwa-so with Tezuka, and lived there until the end of 1961.
Ishinomori illustrated a comic adaptation of the Super NES video game The Legend of Zelda: A Link to the Past, which was produced for the American publication Nintendo Power. The comic consisted of 12 chapters, which were serialized from January 1992 (Volume 32) to December 1992 (Volume 43). The comic was republished as a graphic novel collection in 1993, and, as of 2015, is back in print through Viz Media. He has been credited for some work with the Power Rangers, including videos, video games, the 1996 video of a Mighty Morphin Power Rangers World Tour Live on Stage event and the Power Rangers Zeo, Power Rangers Turbo and Power Rangers in Space tv series.[11]
At the end of 1997, Kazuhiko Shimamoto, a young and up-and-coming manga artist was contacted by an increasingly ill Ishinomori and asked if he would do a continuation, though more along the lines of a remake, of his 100-page, one-shot manga from 1970, Skull Man, the manga that became the basis for Kamen Rider. Ishinomori, who had been one of Shimamoto's boyhood heroes, faxed him copies of the proposed story and plot notes. Shimamoto was astounded that he had been chosen to work on his idol's final, great work.
Shimamoto had already been involved in the revival of one of Ishinomori's other earlier works (including Kamen Rider) but little did he dream that, as only one of many whom Ishinomori had inspired, he would be chosen for the final collaboration and resurrection of Skull Man. It was also adapted into an anime in 2007.
