Elsa Schiaparelli SAS,, also known as Schiaparelli, is a French luxury fashion house.
The corporation was founded in 1957 by Elsa Schiaparelli as a perfume company. In 2014 a fashion house was established within this legal entity under creative director Marco Zanini. Nowadays the company specialises in haute couture, ready-to-wear, and accessories. Delphine Bellini has been CEO of Schiaparelli since 2014, and Daniel Roseberry creative director since 2019.
Fashion house Schiaparelli markets a legacy based on its founder. She was also the founder of the French luxury fashion house Maison Schiaparelli in 1927 which went bankrupt in 1954. Maison Schiaparelli's style is often described as surrealist.[2][3][4] During the existence of Maison Schiaparelli Elsa Schiaparelli collaborated with leading artists of the surrealist movement such as Salvador Dalí and Leonor Fini.
Legacy of Elsa Schiaparelli (1927–1954)
Elsa Schiaparelli opened an atelier in Paris in 1927. Her early designs were relatively conservative, with a focus on knitwear. Her business grew over time, employing 400 employees by 1932. Already a long-time collaborator with Man Ray, Schiaparelli began further collaborations with artists from the Surrealist movement in the mid-1930s, including Salvador Dalí, Jean Cocteau, and Leonor Fini. During this period, she came into what would become her signature quirky, surrealistic aesthetic. After the Second World War, Schiaparelli's star dimmed, overtaken by new couture designers such as Christian Dior. In 1954, the house declared bankruptcy. Elsa Schiaparelli created a new company (Elsa Schiaparelli SAS) in 1957 to sell her perfumes, which is the actual company today.[5] She also went on promoting the perfumes and giving lectures.[6]
Transition to fashion house (2013–present)
Under new ownership, after the death of founder Elsa Schiaparelli, it released a few collections in the 70s.
In 2007, Diego Della Valle, chairman of Tod's Group, purchased Elsa Schiaparelli SAS and associated Schiaparelli trademarks.[7] Della Valle hired Christian Lacroix to create a singular couture collection for the house, it debuted at the Musée des Arts Decoratifs on 1 July 2013. Marco Zanini, was then hired as creative director and his first collection debuted in 2014. Zanini stepped down in November 2014, only creating two collections for the house.
In April 2015, Bertrand Guyon was appointed as the new creative director of Schiaparelli, his first collection was shown in July of the same year. Schiaparelli was re-admitted into the Chambre Syndicale de la Haute Couture in 2017, Schiaparelli was permitted to use the term "haute couture". Schiaparelli had been a "guest member" of the Chambre syndicale since 2013. In 2018, the house debuted its first ready-to-wear collection, in lookbook form.[8] Schiaparelli ready-to-wear collections began showing on the runway from the Autumn/Winter collection in March 2023.[9][10]
It was announced in April 2019 that Guyon would be succeeded by Texas-born designer Daniel Roseberry, Roseberry would become the first American to head a French couture house. Guyon's collections were noted for frequent allusions to classic Schiaparelli designs (such as the lobster dress), Roseberry stated that he intended to avoid such literal references, drawing instead on the "spirit" of Elsa Schiaparelli.
Under Daniel Roseberry, Schiaparelli has produced a number of high-profile celebrity garments. In December 2020, Kim Kardashian posted images to Instagram of herself wearing a green bodice with prominently sculpted abdominal muscles and large, bauble-like black and gold earrings, all designed by Schiaparelli. The outfit was widely discussed online, with Internet commentators playfully comparing Kardashian's appearance to the Hulk and the Teenage Mutant Ninja Turtles. Similar designs with exaggerated sculpted muscles soon appeared in the house's Spring 2021 haute couture collection, which was shown in January 2021.
In January, singer Lady Gaga wore a Schiaparelli ball gown decorated with a golden dove of peace to the inauguration of Joe Biden, where she performed the national anthem. The New York Times and Harper's Bazaar praised Schiaparelli as a breakout star of the 63rd Annual Grammy Awards, for which they dressed Beyoncé and Noah Cyrus.
For the Spring/Summer 2023 Haute Couture collection, the brand produced a series of gowns featuring shockingly lifelike 3D embroidery of animal heads of a wolf, a leopard, and a lion. The lion head gown was notably worn by Kylie Jenner.[11] Whilst Shalom Harlow, Irina Shayk, and Naomi Campbell walked the runway donning the animal head gowns.[12] According to Roseberry, the choice of animals was an allusion to Dante's Inferno. The realism of the garments sparked fierce debate online among animal rights activists, however the pieces were constructed out of resin, foam, silk, and other non-fur materials.[13]
From 28 March to 8 November 2026, the Victoria & Albert Museum will exhibit Schiaparelli: Fashion Becomes Art tracing the history of Elsa Schiaparelli.[14][15]
Boutiques
As of 2026, Schiaparelli operates ten boutiques around the globe.[16] Independent boutiques are operated in Paris (Place Vendôme), Dubai (Mandarin Oriental Jumeira and Dubai Mall), Hong Kong (Prince's Building), and Monte Carlo (Hôtel de Paris).[16] Store-within-a-store boutiques are found in Bergdorf Goodman (New York City), Hankyu (Osaka), Harrods (London), and Neiman Marcus (Dallas - NorthPark Center and Los Angeles - Beverly Hills).[16]
Governance
CEOs
Creative directors
A list of creative directors of Schiaparelli:
- Christian Lacroix (2013)[19][20]
- Marco Zanini (2013–2014)[21]
- Bertrand Guyon (2015–2019)[22][23]
- Daniel Roseberry (2019–present)[24]
See also
References
- Schiaparelli store directory.^
- Fabia Di Drusco. Schiaparelli and Surrealism L'Officiel Ibiza, 7 March 2022, retrieved 24 January 2026^
- Sabina Stent. How Schiaparelli’s Surrealism Inspired the 1930s Costumes of Adrian AnOther, 6 February 2019, retrieved 24 January 2026^
- Rachel Tashjian. Schiaparelli Is More Relevant Than Ever Harper's Bazaar, 5 July 2022, retrieved 24 January 2026^
- ELSA SCHIAPARELLI SAS www.societe.com, retrieved 18 January 2022^
- Palmer White. Elsa Schiaparelli, Empress of fashion Aurum Press, 1995^
- Carine Bizet. Lacroix réveille Schiaparelli Le Monde, 2 July 2013, retrieved 24 January 2022^
- Roxanne Robinson. Surrealism Gets Real as Schiaparelli Launches Its First Ready-to-Wear Collection The Hollywood Reporter, 27 September 2018, retrieved 24 January 2026^
- Chloe Street. Schiaparelli debuts perfect first ready-to-wear collection in Paris The Standard, 3 March 2023, retrieved 24 January 2026^
- Schiaparelli A/W 23 Womenswear SHOWstudio, 3 March 2023, retrieved 24 January 2026^
- Leah Dolan. Everything you need to know about Kylie Jenner's lion's head outfit CNN, 23 January 2023, retrieved 9 November 2023^
- Dylan Kelly. Did Schiaparelli’s Animal Heads Go Too Far? Hypebeast, 23 January 2023, retrieved 24 January 2026^
- Alexandra Del Rosario. Kylie Jenner just wore a dress decorated with a lion's head. Why is PETA so happy? Los Angeles Times, 23 January 2023, retrieved 9 November 2023^
- Schiaparelli: Fashion Becomes Art - Exhibition at V&A South Kensington · V&A Victoria and Albert Museum, retrieved 2026-03-28^
- Louis Lucero II. How Elsa Schiaparelli Dressed ‘the Most Masculine City in the World’ The New York Times, 2026-03-21, retrieved 2026-03-28^
- Maison Schiaparelli - Our Boutiques Schiaparelli, retrieved 24 January 2026^
- Renowned CEO of Maison Schiaparelli, Delphine Bellini, inspires future generations at Istituto Marangoni Dubai Go Dubai, 16 December 2025, retrieved 24 January 2026^
- Delphine Bellini Institut Français de la Mode, retrieved 24 January 2026^
- Mattie Kahn. Jeweled Lobsters, Satin Turbans, and Oops-You-Missed-a-Spot Hairy Ankles: A Guide to Christian Lacroix for Schiaparelli Couture Vanity Fair, 1 July 2013, retrieved 24 January 2026^
- Haute couture: Lacroix rend un hommage Elsa Schiaparelli La Presse, 2 July 2013, retrieved 24 January 2022^
- Lauren Milligan. Schiaparelli Confirms Zanini Exit British Vogue, 7 November 2014, retrieved 24 January 2026^
- Schiaparelli names Bertrand Guyon Director of Style - Crash Crash, retrieved 24 January 2022^
- Joelle Diderich. Schiaparelli Parts Ways With Design Director Bertrand Guyon WWD, 19 April 2019, retrieved 24 January 2026^
- Arnaud Klein. Daniel Roseberry nommé directeur artistique de Schiaparelli Vogue France, 23 April 2019, retrieved 24 January 2022^
- <ref name="nyt-roseberry-2019"> Megan O'Grady. The Designer Ushering a Couture House Into a Brave New Era The New York Times, 12 August 2019^
- Liza Foreman. Poiret and Schiaparelli are among the old-world French brands making a stylish return BBC, 21 November 2018^
- Matthew Schneier. Bertrand Guyon, on Learning Schiaparelli The New York Times, 7 July 2015^
- Kerry Pieri. Breaking News at Schiaparelli Harper's Bazaar, 7 November 2014^
- Schiaparelli ropes in Bertrand Guyon Elle India, 29 April 2015^
- Hannah Marriott. Paris couture: Schiaparelli's triumphant display of organza, satin and 1940s chic The Guardian, 6 July 2015^
- Ella Alexander. Schiaparelli names Daniel Roseberry as new artistic director Harper's Bazaar, 23 April 2019^
- Vanessa Friedman. Beyoncé and the Grammys' Breakout Fashion Star The New York Times, 15 March 2021^
- Kerry Pieri. Schiaparelli Becomes the Name to Wear on the Red Carpet After Last Night's Grammys Harper's Bazaar, 15 March 2021^
- Grace O'Neill. The Remarkable Story of Kim Kardashian's Couture Christmas Outfit Grazia^
- Mario Abad. Schiaparelli's Six Pack Is the Only Fitness Goal I Care About Paper, 25 January 2021^
- Jan Reeder. Elsa Schiaparelli (1890–1973) Metropolitan Museum of Art, May 2011^
- Manuel Arnaut. From NYC to Place Vendôme: Daniel Roseberry on Reviving Schiaparelli's Playful Spirit Vogue Arabia, 4 March 2021^
- Suzy Menkes. Suzy Menkes assesses Bertrand Guyon's revival of Schiaparelli British Vogue, 23 January 2017^
- Schiaparelli rises from fashion death to Paris haute couture Fashion Network, 3 January 2017^
- Charlotte Cowles. Schiaparelli Confirms Couture Plans for January The Cut, 6 November 2013^