Comic strips
The NEA's earliest successful comic strip was A.D. Condo & J. W. Raper's The Outbursts of Everett True (launched in 1905).
Early on, Charles N. Landon (1878–1937) joined NEA as art director. Founder of the Landon School of Illustration and Cartooning, a mail-order correspondence course that trained a generation of cartoonists, Landon personally hired some graduates to draw features at the syndicate. Counted among these successful students were Roy Crane, Merrill Blosser, V. T. Hamlin, Bill Holman, Chic Young, and Ethel Hays. (In the case of Hays, Landon taught her by mail and then brought her to NEA to draw syndicated features.)[18]
Cartoonist Gene Ahern moved to Cleveland in 1914 to work on staff for the NEA as a sportswriter and artist, initially inking comic drawings for $18 a week.[19] He worked on such strips as Dream Dope, Fathead Fritz, Sporty Sid and his Pals, Taking Her to the Ball Game, and Ain't Nature Wonderful. In 1915, he introduced Squirrel Food, later known as Otto Auto and then Balmy Benny before returning to its original title.[20][21]
In May 1915, Landon hired Merrill Blosser to work at NEA. Blosser was 23 when he began in the NEA art department, initially doing cartoons based on news events and then drawing five daily panels. One of these, titled Freckles, began as a one-column daily gag panel on August 16, expanding into a full comic strip on September 20 when it was retitled Freckles and His Friends. One by one, each of the other panels were dropped. In July 1916, Blosser started another strip, Miniature Movies, which evolved into Chestnut Charlie, continuing until early in 1918 when Blosser concentrated exclusively on Freckles and His Friends.[22][23]
Cartoonist Edgar Martin joined the NEA in 1921 as a cartoonist.[24][25] While working in NEA's art department, Martin experimented with several strips: Efficiency Ed, Fables of 1921, Taken from Life, and Girls. In 1924, NEA was looking for a "girl strip," and several artists who had previously submitted strips were asked to resubmit them. Martin's sample was unsigned. When an editor examined Martin's strip and asked, "How soon can we get this artist?", the art director responded, "In one minute. He works here." Thus, Girls became Boots and Her Buddies on February 18, 1924, although some newspapers continued to use the first title.
NEA became a successful distributor of newspaper comics in the 1920s and 1930s.[26] In 1921 Gene Ahern introduced the Nut Brothers, Ches and Wal, in the new strip Crazy Quilt. That same year, NEA General Manager Frank Rostock suggested to Ahern that he use a boarding house for a setting. Our Boarding House began September 16, 1921, scoring a huge success with readers after the January 1922 arrival of the fustian Major Hoople.[19] The Nut Bros: Ches and Wal ran as a topper strip above Our Boarding House. Other long-running NEA strips that launched during the 1920s included Martin's Boots and Her Buddies, Roy Crane's Wash Tubbs, Ethel Hays' Flapper Fanny Says, and J. R. Williams' Out Our Way.
Popular NEA strips that originated in the 1930s include V. T. Hamlin's Alley Oop, Crane's Captain Easy, and Stephen Slesinger & Fred Harman's Red Ryder.
Bela Zaboly started at NEA as an office boy and eventually was a staff cartoonist. During the early 1930s he created the Sunday strip Otto Honk about moon-faced, dim-bulb Otto, who was variously employed as a private eye, movie stunt man and football player. Otto Honk lasted until 1936. Zaboly was an assistant to Roy Crane on Wash Tubbs.[27]
Cartoonist Herb Block ("Herblock") moved to Cleveland in 1933 to become a staff cartoonist for the NEA, which distributed his cartoons nationally. While there, he won his first Pulitzer Prize in 1942 for "British Plane".[28]
Dell Publishing's ongoing comic book series The Funnies (launched 1936) utilized a number of NEA strips to start out, including Alley Oop and Captain Easy.[29]
By 1936 Gene Ahern was making an annual $35,000 at NEA, and King Features Syndicate offered to double that figure. Ahern left NEA in March 1936 for King Features, where he created Room and Board. Similarly, in 1943 Roy Crane exited the NEA (abandoning his strips Captain Easy and Wash Tubbs) for King Features to begin Buz Sawyer, a strip he would own outright.[30]
NEA's Bugs Bunny strip launched in 1942 and was syndicated for 51 years. Al Vermeer's Priscilla's Pop was a long-running strip that launched in 1946.
Dick Cavalli's Winthrop (originally called Morty Meekle) debuted in 1955 and lasted 39 years.
Three strips that debuted in the 1960s and 1970s are still in syndication via the NEA: The Born Loser (launched 1965), Frank and Ernest (launched 1972), and Kevin Fagan's Drabble, which debuted in 1979.
The Newspaper Enterprise Association brand has persisted both under the United Media umbrella and now Universal Uclick/Andrews McMeel Syndication.
