1996-2020: Early years and career beginnings
Maria Valcheva Bakalova[2] was born on 4 June 1996 in Burgas to Rumyana Bakalova, a nurse, and Valcho Bakalov, a chemist.[3][4] She began taking singing lessons and playing the flute around age six, and sang in a choir that toured across Europe.[5][6] Bakalova enrolled in acting classes at the age of 12, majoring in drama theater and minoring in flute at the National School of Music and Stage Arts in Burgas, where she was a straight A student; she recalled, "I was a super-disciplined child. I was reading too many books. I was obsessed with Dostoyevsky, at like 15, 16".[7][6] As a teenager, Bakalova developed an interest in literature, especially the works of Gabriel García Márquez, Jorge Luis Borges and Mikhail Bulgakov, as a method of escapism.[8] She was inspired to pursue film acting after watching The Hunt, and has cited filmmaker Thomas Vinterberg as her biggest influence alongside Susanne Bier, Pedro Almodóvar, Paolo Sorrentino and Andrea Arnold as other major influences.[7][9]
Bakalova later moved to Sofia where she majored in drama at the National Academy for Theatre and Film Arts.[10] As a student, she appeared in various stage productions, including Les Liaisons dangereuses, Sexual Perversity in Chicago, Kennedy's Children and The Trial.[11][12] Bakalova made her on-screen debut playing a supporting part in the 2017 comedy-drama film XIIa.[13] In the same year, she made her first headlining appearance in Transgression, where she played Yana, a young girl who has an unusual relationship with an aging rock musician.[14] She secured the role after a classmate of hers signed her up for a blind audition during her first year at university.[15] The film was screened at several film festivals in Europe and North America, before being released through
In her third year of studies, she volunteered to help filmmakers Kristina Grozeva and Petar Valchanov, who taught the only film acting class at the academy, with scheduling and other tasks, and traveled with them to the set of a film they were working on so that she could watch how they worked and learn from them. One of the directors invited her to audition for a bit in their film The Father (2019); she landed the part and filmed a brief flashback scene as the young version of one of the characters.[6][18] The Father won the Crystal Globe award for Best Film at the 54th Karlovy Vary International Film Festival, and was selected as the Bulgarian entry for the Best International Feature Film category at the 93rd Academy Awards.[19][20]
Driven by her fascination with Danish cinema—particularly with the work of Vinterberg, Lars von Trier and their Dogme 95 movement—Bakalova used part of her university scholarship to take her parents on a trip to Denmark a few months before graduating. There, she visited Zentropa's headquarters, and asked if she could become a P.A. or a runner on von Trier's next film.[12][21] She was sent away because she didn't speak Danish, prompting her to begin studying the language, before eventually graduating and moving to Los Angeles in 2019.[22][23] Bakalova next starred in the 2020 comedy-drama Last Call as Alexandra, a suicidal girl who is on the verge of ending her life.[24] Her performance was received positively by critics, and Yanko Terziev of Capital wrote that her portrayal of the character brought "warmth and lyricism" to the film.[25]
2020-present: Hollywood breakthrough
In 2020, Bakalova portrayed Tutar Sagdiyev, the daughter of fictional Kazakh reporter Borat Sagdiyev, in the mockumentary Borat Subsequent Moviefilm, alongside Sacha Baron Cohen.[26] Although she was initially credited as Irina Nowak, reports later revealed her involvement.[27] During the audition process, Bakalova had to travel to London for a callback; the secrecy around the project made her concerned that she might have become part of a human trafficking scheme.[28] The film was lauded as "the most impactful piece of political entertainment" in the weeks leading up to the 2020 United States presidential election, as a scene in which Rudy Giuliani appears to put his hands down his trousers while reclining on a bed in the presence of Bakalova's character garnered significant media attention.[29] Critics praised her performance, with some stating it was among the year's best.[30]
