The Golden Age of Philippine Cinema (The 1950s)
The so-called First Golden Age of Philippine Cinema commenced in the 1950s with the flourishing establishment of the so-called Big Four studios, namely LVN Pictures, Sampaguita Pictures, Lebran International and Premiere Productions, with each studio specializing in different genres. Sampaguita Pictures specialized in high-glossed society pictures and musicals. Premiere Productions and Lebran International specialized in action pictures.[1][3] LVN, on the other hand, became known for its "superproductions," the Hollywood equivalent of "epic" films that was complemented by the LVN superstars that starred in these films. The various superproductions of LVN were Ibong Adarna (1955), Lapu-Lapu (1955) and the movie classics Badjao (1956), Anak Dalita (1957) and Biyaya ng Lupa (1959). At this time, LVN Pictures emerged as the biggest film studio in the Philippines, releasing two to three films a month from 1955–1956.
Indeed, during this time, LVN Pictures housed the biggest and most popular stars of the period. With Narcisa de Leon still helming LVN Pictures, the studio managed to maintain its resident female contravida (antagonist) FAMAS-winner Rosa Rosal, the then undisputed King of Philippine Movies and FAMAS-winner Rogelio de la Rosa, FAMAS-nominee Lilia Dizon, FAMAS-winner Jose Padilla, Jr., Jaime de la Rosa, Celia Flor, Mila del Sol, Corazon Noble, Norma Blancaflor and a handful of other stars. In addition, LVN added to its roster FAMAS winners Charito Solis (introduced in Niña Bonita in 1955), Nida Blanca, Leroy Salvador, Armando Goyena, Tony Santos, Sr., Oscar Keesee, Gil de Leon, Eddie Rodriguez and a handful of other stars. Delia Razon, Daisy Romualdez, Nestor de Villa, Mario Montenegro, Norma Vales, Lou Salvador, Jr., Marita Zobel and Sylvia La Torre are the other stars added to LVN during this period. In addition to stars, LVN also prided itself in the film artisans that it had on contract. The make-up legend Manahan Sisters, directors Lamberto Avellana and Gerardo de Leon (who became FAMAS winners), musician Tito Arevalo and editor Ike Jarlego were few of the many talented film artisans that were, one year or another, in contract with the studio.
LVN Pictures prided itself on the creation of what was perhaps the most popular love team of all time, the Nida Blanca-Nestor de Villa love team. The two stars, who were also gifted in the field of dancing and singing, gave LVN a boost on the box-office with their films Waray-Waray (1954), Kalyehera (1957), and Talusaling (1958). The love team gave Sampaguita Pictures a competition, which led them to build up their number-one star, Gloria Romero, with the dashing Luis Gonzales. Nevertheless, the Nida-Nestor love team had one thing that the Gloria-Luis lacked: the gift of dance. Nida-Nestor danced their way to the box-office, and even later to television with their own show.
In addition, LVN's desire to equal Sampaguita Pictures' drama excellence was also answered. By the 1950s, Sampaguita drama empresses Lolita Rodriguez, Marlene Dauden and Rita Gomez were already held in check by LVN's very own drama empress Charito Solis. Charito Solis starred in the blockbuster films Malvarosa (1958), Kundiman ng Lahi (1959) and Emily (1960). To answer for the hugely popular action films of Premiere Productions and Lebran International, LVN also developed its resident hunk Mario Montenegro, Jaime de la Rosa and Jose Padilla, Jr., to do action films like Huk sa Bagong Pamumuhay (1953) and Lapu-Lapu (1955). LVN also featured its own roster of antagonists or contravidas which brought "hell" to Filipino screens like Eusebio Gomez, Oscar Keesee, Jr., Rosa Rosal, Gil de Leon, Rebecca del Rio and Rosa Aguirre to name a few. LVN also had under contract the brightest singing stars of the period like Diomedes Maturan, Sylvia La Torre and Marita Zobel. La Torre later teamed up with Eddie San Jose in LVN's series of comedies starring the team of Pugo and Bentot.
In 1955, LVN Pictures again set another landmark by remaking Ibong Adarna in 1955, starring the then-popular love team of Nida Blanca and Nestor de Villa. The movie became the first Filipino film to ever grossed one million pesos and hugely promoted the love team of Blanca and de Villa. In 1956, LVN brought international fame to the Philippines when its superproduction Badjao (1956) starring Rosa Rosal won the Golden Harvest Award (Best Picture) at the Asia-Pacific Film Festival. From this point on, LVN's superproductions figured in various film festivals and competitions all over the world, winning Best Picture Awards and acting awards in the process.
In the local scene, LVN Pictures also dominated the Awards of the Filipino Academy of Movie Arts and Sciences (FAMAS Awards) by amassing a total of 11 nominations for Best Picture. In total, it won 4 Best Picture awards, 1 Best Short Film Award, and 1 Best Featurette Award. In addition, LVN Pictures holds the record for the most FAMAS International Prestige Awards of Merit, the award of the FAMAS that gives recognition to productions that were recognized internationally. At a time when movie studios were only receiving one or two of these in a decade, LVN managed to collect four of them for the films Anak Dalita (1957), Malvarosa (1958), Bayanihan and My Serenade (both 1961).
Nevertheless, due to the heavy competition that LVN Pictures experienced from Hollywood films and even local television, the Golden Age of Philippine cinema was the only boost it needed to survive as a corporation.
