Hervé Léger is a French fashion house that was founded by the designer Hervé Peugnet, who was also known as Hervé L. Leroux. As of 2023, the creative director is American designer Michelle Ochs.[1]
History
Hervé Léger was founded in 1985 by the designer Hervé Peugnet (1957–2017). That same year, Karl Lagerfeld advised Peugnet that his surname would be too difficult for Americans (the target market) to pronounce, and he suggested the surname Léger instead.[2] Having lost the rights to the Hervé Léger name, Peugnet later took a third "brand" name as Hervé L. Leroux in 2000.[3]
As early as 1982, however, the fashion press was already referring to Peugnet as Hervé Léger, as that was the year he gained international attention for leading a design team at Chanel that revamped the Chanel silhouette,[4] a year before Karl Lagerfeld took over the house. Peugnet had previously worked as an assistant to Lagerfeld and was likely influenced by Lagerfeld in his 1982 reworking of the Chanel look,[5][6][7][8] a reworking that bore hallmarks of the body-conscious trend of the time, a trend followed by a number of eighties designers beginning in the late seventies, including Lagerfeld,[9] Peugnet, Thierry Mugler,[10][11] and (most famously) Azzedine Alaïa,[12][13][14] to whom Peugnet's work would frequently be compared in the future. Peugnet altered the Chanel silhouette by broadening the shoulder,[15] shortening the jacket,[16] shortening and tightening the skirt,[17][18][19] raising the heel height,[20][21][22] and increasing the scale of the jewelry and purses,[23][24][25] all controversial moves initially.[26][27]
Along with Azzedine Alaïa, who had introduced the style by 1985,[28][29] Peugnet pioneered the creation of so-called bandage dresses, so-called "body-con" (body-conscious) garments made using materials traditionally associated with foundation garments to create bandage dresses that would mold and shape the wearer's figure with its signature bandage-like strips.
One of the peculiarities of Hervé Léger garments is that they are knitted, not woven.[30]
In September 1998, Hervé Léger was acquired by the BCBG Max Azria Group from the Seagram's Group. This was the first-ever acquisition of a French couturier by an American designer, though Azria is Tunisian[31] and grew up in France. Ohana & Co., a boutique investment bank, advised Seagram's on the sale.
In April 2007, Max Azria relaunched the Hervé Léger brand under his own design direction with a capsule summer collection, which was offered at select department stores and specialty boutiques. In August 2007, the remodeled Hervé Léger boutique opened on Rodeo Drive in Beverly Hills. In February 2008, Max Azria presented the Hervé Léger by Max Azria collection at Bryant Park during the Fall 2008 New York Fashion Week.
In August 2017, Marquee Brands acquired the entire brand portfolio of BGBG Max Azria Global Holdings, including Hervé Léger, following the bankruptcy of BCBG Max Azria.[32] In October 2017, Marquee Brands sold Hervé Léger to Authentic Brands Group.[33]
Dutch designer Christian Juul Nielsen, who previously worked at Christian Dior Couture and Nina Ricci, was appointed creative director in August 2018.[34] His focus was on modernizing and expanding the brand image beyond the bandage dress into daywear and lifestyle categories.
In 2023 the brand appointed Michelle Ochs, cofounder of Cushnie et Ochs, as the creative director.[1]
External links
References
- Ezreen Benissan. Michelle Ochs Joins Hervé Léger to Revive the Bandage Dress Brand Vogue, 2023-06-12, retrieved 2023-12-12^
- Hervé L. Leroux escamote Hervé Léger 8 June 2000 "Il y a quinze ans, alors qu'il travaillait avec Karl Lagerfeld, aux tout premiers temps de la collaboration du couturier avec Chanel, Hervé Léger s'appelait encore Hervé Peugnet. Un nom imprononçable pour les Américains. Karl Lagerfeld lui suggère vivement d'en changer pour quelque chose de plus léger: «Pourquoi pas Hervé Léger?» Le temps de s'habituer à ce nouveau patronyme et le voilà qui fait son chemin et file vers la gloire en se forgeant une réputation grâce à ses fameuses robes bandelettes qui emballent si bien Karen Mulder, Naomi Campbell et les stars hollywoodiennes."^
- Leah Melby Clinton. The History of the Bandage Dress, From 1994 to Now Glamour, retrieved 28 September 2017^
- Bernadine Morris. Givenchy and Chanel Excite Paris The New York Times, 1982-10-19, retrieved 2022-04-04^
- Reshaping the Classics at the House of Chanel The New York Times, 1982-12-12, retrieved 2022-04-04^
- Bernadine Morris. Givenchy and Chanel Excite Paris The New York Times, 1982-10-19, retrieved 2022-04-04^
- Patricia McCall. Paris: Hourglass Figuring The New York Times, 1982-10-17, retrieved 2022-04-04^
- Bernadine Morris. Valentino Shines in Paris Amid Strong French Shows The New York Times, 1983-03-22, retrieved 2022-04-04^
- Carrie Donovan. American Designers Come of Age The New York Times, 1979-05-06, retrieved 2021-12-01^
- Bernadine Morris. Notes on Fashion The New York Times, 21 September 1982, retrieved 13 December 2021^
- Jane Mulvagh. Vogue History of 20th Century Fashion Viking, the Penguin Group, 1988^
- Nina Hyde. YSL, Robust and Refined High Hemlines for His Paris Show The Washington Post, 1985-03-28, retrieved 2022-03-09^
- Marylou Luther. Fashion The Washington Post, 1985-10-24, retrieved 2022-03-09^
- Bill Cunningham. Follies to Futurism Details, Details Publishing Corp., 1987-09-01^
- Reshaping the Classics at the House of Chanel The New York Times, 1982-12-12, retrieved 2022-04-04^
- Bernadine Morris. Givenchy and Chanel Excite Paris The New York Times, 1982-10-19, retrieved 2022-04-04^
- Reshaping the Classics at the House of Chanel The New York Times, 1982-12-12, retrieved 2022-04-04^
- Bernadine Morris. Givenchy and Chanel Excite Paris The New York Times, 1982-10-19, retrieved 2022-04-04^
- Bernadine Morris. Valentino Shines in Paris Amid Strong French Shows The New York Times, 1983-03-22, retrieved 2022-04-04^
- Reshaping the Classics at the House of Chanel The New York Times, 1982-12-12, retrieved 2022-04-04^
- Bernadine Morris. Givenchy and Chanel Excite Paris The New York Times, 1982-10-19, retrieved 2022-04-04^
- Bernadine Morris. Valentino Shines in Paris Amid Strong French Shows The New York Times, 1983-03-22, retrieved 2022-04-04^
- Reshaping the Classics at the House of Chanel The New York Times, 1982-12-12, retrieved 2022-04-04^
- Bernadine Morris. Givenchy and Chanel Excite Paris The New York Times, 1982-10-19, retrieved 2022-04-04^
- Bernadine Morris. Valentino Shines in Paris Amid Strong French Shows The New York Times, 1983-03-22, retrieved 2022-04-04^
- Reshaping the Classics at the House of Chanel The New York Times, 1982-12-12, retrieved 2022-04-04^
- Bernadine Morris. Givenchy and Chanel Excite Paris The New York Times, 1982-10-19, retrieved 2022-04-04^
- Amy Fine Collins. The Figure-Sculpting Fashions of Azzedine Alaïa Vanity Fair, 2012-08-23, retrieved 2022-04-04^
- Marylou Luther. Fashion The Washington Post, 1985-10-24, retrieved 2022-04-04^
- The History of the Bandage Dress, from 1994 to Now 23 September 2015^
- LA brands BCBG Max Azria and Hervé Léger plan London expansion Evening Standard, retrieved 28 September 2017^
- Papiya Basu. Marquee acquires clothing brands BCBGMAXAZRIA, BCBGeneration, Herve Leger www.spglobal.com, August 2, 2017, retrieved 2023-12-12^
- Vicki M. Young. ABG Acquires the Hervé Léger Brand WWD, 2017-10-27, retrieved 2023-12-12^
- Benjamin Fitzgerald. Hervé Léger names Christian Juul Nielsen creative director FashionNetwork.com, August 31, 2018, retrieved 2023-12-12^