The Adbusters Media Foundation is a Canadian-based not-for-profit, pro-environment[1] organization founded in 1989 by Kalle Lasn and Bill Schmalz in Vancouver, British Columbia. Adbusters describes itself as "a global network of artists, activists, writers, pranksters, students, educators and entrepreneurs who want to advance the new social activist movement of the information age."[2]
As anti-capitalist or opposed to capitalism,[3] it publishes the reader-supported, advertising-free Adbusters, an activist magazine devoted to challenging consumerism. The magazine has an international circulation peaking at 120,000 in the late 2000s[4] with circulation of 60,000[5] in 2022. Past and present contributors to the magazine include Jonathan Barnbrook, Morris Berman, Brendan Connell, Simon Critchley, David Graeber, Michael Hardt, Chris Hedges, Bill McKibben, Jim Munroe, David Orrell, Douglas Rushkoff, Matt Taibbi, Slavoj Žižek, and others.
Adbusters has launched numerous international campaigns, including Buy Nothing Day, TV Turnoff Week and Occupy Wall Street,[6] and is known for their "subvertisements" that spoof popular advertisements. In English, Adbusters has bi-monthly American, Canadian, Australian, UK and International editions of each issue. Adbusters's sister organizations include Résistance à l'Aggression Publicitaire[7] and Casseurs de Pub[8] in France, Adbusters Norge in Norway, Adbusters Sverige in Sweden and Culture Jammers in Japan.[9][10]
History
Adbusters was founded in 1989 by Kalle Lasn and Bill Schmalz, a duo of award-winning documentary filmmakers living in Vancouver. Since the early 1980s, Lasn had been making films that explored the spiritual and cultural lessons the West could learn from the Japanese experience with capitalism.
In 1988, the British Columbia Council of Forest Industries, the "voice" of the logging industry, was facing tremendous public pressure from a growing environmentalist movement. The logging industry fought back with a television ad campaign called "Forests Forever."[11] It was an early example of greenwashing: shots of happy children, workers and animals with a kindly, trustworthy sounding narrator who assured the public that the logging industry was protecting the forest.
Lasn and Shmalz, outraged by the use of the public airwaves to deliver what they felt was deceptive anti-environmentalist propaganda, responded by producing the "Talking Rainforest"[12] anti-ad in which an old-growth tree explains to a sapling that "a tree farm is not a forest." But the duo proved to be unable to buy airtime on the same stations that had aired the forest-industry ad. According to a former Adbusters employee, "The CBC's reaction to the proposed television commercial created the real flash point for the Media Foundation. It seemed that Lasn and Schmaltz's commercial was too controversial to air on the CBC. An environmental message that challenged the large forestry companies was considered 'advocacy advertising' and was disallowed, even though the 'informational' messages that glorified
Mental environmentalism
The subtitle of Adbusters magazine is "The Journal of the Mental Environment."
In a 1996 interview, Kalle Lasn explained the foundation's goal: What we're trying to do is pioneer a new form of social activism using all the power of the mass media to sell ideas, rather than products. We're motivated by a kind of 'greenthink' that comes from the environmental movement and isn't mired in the old ideology of the left and right. Instead, we take the environmental ethic into the mental ethic, trying to clean up the toxic areas of our minds.
You can't recycle and be a good environmental citizen, then watch four hours of television and get consumption messages pumped at you.[15]
Issues
Anti-advertising
Adbusters describes itself as anti-advertising: it blames advertising for playing a central role in creating and maintaining consumer culture. This argument is based on the premise that the advertising industry goes to great effort and expense to associate desire and identity with commodities. Adbusters believes that advertising has unjustly "colonized" public, discursive and psychic spaces, by appearing in movies, sports and even schools, so as to permeate modern culture. Adbusters's stated goals include combating the negative effects of advertising and empowering its readers to regain control of culture, encouraging them to ask "Are we consumers and citizens?"[16]
Since Adbusters concludes that advertising conditions people to look to external sources, to define their own personal identities, the magazine advocates a "natural and authentic self apart from the consumer society". The magazine aims to provoke anti-consumerist feelings. By juxtaposing text and images, the magazine attempts to create a means of raising awareness and getting its message out to people that is both aesthetically pleasing and entertaining.[17]
Activism also takes many other forms such as corporate boycotts and 'art as protest', often incorporating humor. This includes billboard modifications, google bombing, flash mobs
Campaigns
Culture jamming
Culture jamming is the primary means through which Adbusters challenges consumerism.[22] The magazine was described by Joseph Heath and Andrew Potter in their book The Rebel Sell as "the flagship publication of the culture jamming movement."[23] Culture jamming is heavily influenced by the Situationist International and the tactic of détournement. The goal is to interrupt the normal consumerist experience in order to reveal the underlying ideology of an advertisement, media message, or consumer artifact. Adbusters believe large corporations control mainstream media and the flow of information, and culture jamming aims to challenge this as a form of protest. The term "jam" contains more than one meaning, including improvising, by re-situating an image or idea already in existence, and interrupting, by attempting to stop the workings of a machine.[24]
Criticisms
Criminal Mischief
The foundation has been criticized for solicitating dangerous criminal mischief by escalating their methods to deflate "SUV tires in an effort to fight climate change."[40]
Commercial style
The foundation has been criticized for having a style and form that are too similar to the media and commercial product that Adbusters attack, that its high gloss design makes the magazine too expensive, and that a style over substance approach is used to mask sub-par content.[41]
Heath and Potter posit that the more alternative or subversive the foundation feels, the more appealing the Blackspot sneaker will become to the mainstream market. They believe consumers seek exclusivity and social distinction and have argued that the mainstream market seeks the very same brand of individuality that the foundation promotes; thus they see the foundation as promoting capitalist values.[23]
Awards
In 1999, Adbusters won the award for National Magazine of the Year in Canada.[49]
See also
- Ad creep
- The Chaser
- Culture jamming
- Downhill Battle
- Engaged Buddhism
- Free-culture movement
- Geez magazine
- Indymedia
- Led By Donkeys
- No Logo
- Situationist International
- StayFree! magazine
- The Yes Men
External links
- Critique of Adbusters in Jacobin magazine
- "Culture Jams and Meme Warfare: Kalle Lasn, Adbusters, and media activism", Wendi Pickerel, Helena Jorgensen, and Lance Bennett, 19 April 2002.
- "Adbusters Wins Legal Victory in Ongoing Case Against the CBC and CanWest", www.marketwire.com, 6 April 2009.
- Fiona Morrow, "Adbusters wins the right to sue broadcasters over TV ads", theglobeandmail.com, 6 April 2009.
Academic and news sites
References
- "About". Adbusters Media Foundation. Retrieved 3 October 2011.^
- "About Adbusters ." Adbusters Media Foundation. Retrieved 19 December 2010.^
- Eric Pfanner. Fighting guerrilla graffiti, The New York Times, 15 March 2004^